In Unsustainable Empire Dean Itsuji Saranillio offers a bold challenge to conventional understandings of Hawai'i's admission as a U.S. state. Hawai'i statehood is popularly remembered as a civil rights victory against racist claims that Hawai'i was undeserving of statehood because it was a largely non-white territory. Yet Native Hawaiian opposition to statehood has been all but forgotten. Saranillio tracks these disparate stories by marshaling a variety of unexpected genres and archives: exhibits at world's fairs, political cartoons, propaganda films, a multimillion-dollar hoax on Hawai'i's tourism industry, water struggles, and stories of hauntings, among others. Saranillio shows that statehood was neither the expansion of U.S. democracy nor a strong nation swallowing a weak and feeble island nation, but the result of a U.S. nation whose economy was unsustainable without enacting a more aggressive policy of imperialism. With clarity and persuasive force about historically and ethically complex issues, Unsustainable Empire provides a more complicated understanding of Hawai'i's admission as the fiftieth state and why Native Hawaiian place-based alternatives to U.S. empire are urgently needed.
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UNSUSTAINABLE EMPIRE
UNSUSTAINABLE EMPIREALTERNATIVE HISTORIES HAWAI‘I OF STATEHOOD
Library of Congress Cataloging-in-Publication Data Names: Saranillio, Dean Itsuji, [date] autor. Title: Unsustainable empire : alternative istories of Hawai‘i stateood / Dean Itsuji Saranillio. Description: Duram : Duke University Press, . | Includes bibliograpical references and index. Identifiers: (print) | (ebook) (ebook) (ardcover : alk. paper) (pbk. : alk. paper) Subjects: : Hawaii—Politics and government—–. | Hawaii—Politics and government—– | Hawaii— History—–. | Hawaii—History—– | Stateood (American politics) | Hawaiians—Political activity. Classification: . (ebook) | . .s (print) | ./—dc record available at ttps://lccn.loc.gov/
Frontispiece: “Stateood,” by Wayne Kaumualii Westlake ().
Cover art: Banners tat read “ ” wit military figter aircraft. Poto taken from inside te Hawai‘i State Capitol building, Marc , . Potograp courtesy of Jonatan Sisido.
Heijin, Hyun, and Yuna
MoterEloise,FaterDick,Candace, Selley, and Drew
Tai, Kota, Devan, Seyne, Nanami, and Sora
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CONTENTS
ix | “Stateood Sucks”
xxi
| Colliding Futures of Hawai‘i Stateood
| A Future Wis: Hawai‘i at te Cicago World’s Columbian Exposition
| he Courage to Speak: Disrupting Haole Hegemony at te Congressional Stateood Hearings
| “Someting Indefinable Would Be Lost”: he Unruly Kamokila andGo for Broke!
| he Propaganda of Occupation: Stateood and te Cold War
| Alternative Futures beyond te Settler State
| Scenes of Resurgence: Slow Violence and Slow Resistance
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PREFACE
St “ ateood Sucks”
he owner of a popular Facebook group, “We Grew Up on Maui,” posted a poto of a rusting green Cevrolet. In keeping wit displaying one’s place-based relation to a larger island community via teir opes or concerns, te straigt-to-te-point bumper sticker read, “ .” he caption to te poto added: “Just appened to see tis bum-per sticker today—Stateood Day—wile I was eating breakfast in Kaului. #Ironic.” Suc irony is eigtened under conditions of occupation as most residents of Hawai‘i, and U.S. residents generally, view opposition to state-ood as contradictory and unexpected. Suc dissent is often dismissed as umorous and koloe, or “miscievous,” yet futile because stateood is imagined as not only aving been resolved back in but permanently settled, te igest form of U.S. governance attainable—te pinnacle of settler civilization. Yet, lying quietly just beind tis dismissal is a well of discomfort. Suc discomfort migt serve as a space of learning, as Kanaka ‘Ōiwi (Native Hawaiian) istory and an ever-growing movement not only questions te very legitimacy of te United States in Hawai‘i, but impor-tantly offers culturally ric and istorically meaningful alternatives to te current system. As suc, “Stateood Day” or Admission Day becomes a state oliday tat enables most to grapple wit a major istorical contradic-tion for anyone wo as even moderately learned about Hawai‘i’s istory. his contradiction, owever, is not limited to Hawai‘i. he neat and tidy spatial geograpies of fifty U.S. states constrains imaginative space,