Bringing together criticism on both African American and Native American women writers, this book offers fresh perspectives on art and beauty, truth, justice, community, and the making of a good and happy life. The essays draw on interdisciplinary, feminist, and comparative methods in the works of writers such as Toni Morrison, Leslie Silko, Alice Walker, Linda Hogan, Paula Gunn Allen, Luci Tapahonso, Phillis Wheatley, and Sherley Anne Williams, making them more accessible for critical consideration in the fields of aesthetics, philosophy, and critical theory. The contributors formulate unique frameworks for interpreting the multiple levels of complex, cultural play between Native American and African American women writers in America, and pave the way for innovative hermeneutic possibilities for reassessing writers of both traditions. I. Introduction
1. On the “Res” and in the “Hood”: Making Cultures, Leaving Legacies Angela L. Cotten
II. Transformative Aesthetics
2. Self-Help, Indian Style? Paula Gunn Allen’s Grandmothers of the Light, Womanist Self-Recovery, and the Politics of Transformation AnaLouise Keating
3. Making the Awakening Hers: Phillis Wheatley and the Transposition of African Spirituality to Christian Religiosity Elizabeth J. West
4. “Any Woman’s Blues”: Sherley Anne Williams and the Blues Aesthetic Michael A. Antonucci
III. Critical Revisions
5. Through the Mirror: Re-Surfacing and Self-Articulation in Linda Hogan’s Solar Storms Ellen L. Arnold
6. The Red-Black Center of Alice Walker’s Meridian: Asserting a Cherokee Womanist Sensibility Barbara S. Tracy
7. Womanist Interventions in Historical Materialism Angela L. Cotten
IV. Re(In)Fusing Feminism
8. “Both the Law and Its Transgression”: Toni Morrison’s Paradise and “Post”–Black Feminism Noelle Morrissette
9. Luci Tapahonso’s “Leda and the Cowboy”: A Gynocratic, Navajo Response to Yeats’s “Leda and the Swan” Maggie Romigh
10. Mother Times Two: A Double Take on a Gynocentric Justice Song Margot Reynolds
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Extrait
Cultural Sites of Critical Insight
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Cultural Sites of Critical Insight
Philosophy, Aesthetics, and African American and Native American Women’s Writings
Edited by Angela L. Cotten and Christa Davis Acampora
State University of New York Press
Published by State University of New York Press, Albany
No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher.
For information, address State University of New York Press, 194 Washington Avenue, Suite 305, Albany, NY 12210-2384
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Library of Congress Cataloging in Publication Data
Cultural sites of critical insight : philosophy, aesthetics, and African American and Native American women’s writing / edited by Angela L. Cotten, Christa Davis Acampora. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-7914-6979-8 (hardcover : alk. paper) ISBN-13: 978-0-7914-6980-4 (pbk. : alk. paper) 1. American literature— African American authors—History and criticism. 2. American literature— Indian authors—History and criticism. 3. American literature—Women authors—History and criticism. 4. African American women authors—Aes-thetics. 5. Indian women authors—Aesthetics. 6. African American women in literature. 7. Indian women in literature. 8. Feminism in literature. I. Cotten, Angela L., 1968- II. Acampora, Christa Davis, 1967-
PS153.N5C85 2007 810.9’928708996073—dc22
2006009009
10 9 8 7 6 5 4 3 2 1
To Angela’s two mothers— Mary Rogers Cotten and Martine Watson Brownley
And to Christa’s grandmothers— Lillian, I wish I had known you, Stella, I am glad I did, and Ila James, I’m so very grateful I do.
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Contents
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I. INTRODUCTION
ON THE“RES”AND IN THE“HOOD”: MAKINGCULTURES, LEAVINGLEGACIES Angela L. Cotten