The Emergence of Buddhist American Literature
271 pages
English

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271 pages
English
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Description

The encounter between Buddhism and American literature has been a powerful one for both parties. While Buddhism fueled the Beat movement's resounding critique of the United States as a spiritually dead society, Beat writers and others have shaped how Buddhism has been presented to and perceived by a North American audience. Contributors to this volume explore how Asian influences have been adapted to American desires in literary works and Buddhist poetics, or how Buddhist practices emerge in literary works. Starting with early aesthetic theories of Ernest Fenollosa, made famous but also distorted by Ezra Pound, the book moves on to the countercultural voices associated with the Beat movement and its friends and heirs such as Ginsberg, Kerouac, Snyder, Giorno, Waldman, and Whalen. The volume also considers the work of contemporary American writers of color influenced by Buddhism, such as Maxine Hong Kingston, Charles Johnson, and Lan Cao. An interview with Kingston is included.
Foreword by Maxine Hong Kingston

Acknowledgments

Introduction
John Whalen-Bridge and Gary Storhoff

PART I. Literature as Vehicle: Transmission and Transformation

1. The Emptiness of Patterned Flux: Ernest Fenollosa’s Buddhist Essay “The Chinese Written Character as a Medium for Poetry”
Jonathan Stalling

2. Gary Snyder’s Selective Way to Cold Mountain: Domesticating Han Shan
Yuemin He

3. John Giorno: Buddhism, Poetry, and Transgression
Marcus Boon

4. Buddhadharma and Poetry without Credentials
Michael Heller

PART II. Zen, Vajrayana, and the Avant-Garde: A Pluralistic Poetics

5. Finger Pointing at the Moon: Zen and the Poetry of Philip Whalen
Jane Falk

6. Keeping the Vision Alive: The Buddhist Stillpoint in the Work of Jack Kerouac and Allen Ginsberg
Erik Mortenson

7. Illumination through the Cracks: The Melting Down of Conventional Socio-Religious Thought and Practice in the Work of Gary Snyder
Tom Lavazzi

8. The American Poetic Diamond Vehicle: Allen Ginsberg and Anne Waldman Re-Work Vajrayana Buddhism
Jane Augustine

PART III. Widening the Circle: Buddhism and American Writers of Color

9. Buddhism, the Chinese Religion, and the Ceremony of Writing: An Interview with Maxine Hong Kingston
John Whalen-Bridge

10. A Bridge between Two Worlds: Crossing to America in Monkey Bridge
Hanh Nguyen and R. C. Lutz

11 ‘Opening the Hand of Thought’: The Meditative Mind in Charles Johnson’s Dr. King’s Refrigerator
Gary Storhoff

Afterword
Charles Johnson

List of Contributers
Index

Sujets

Informations

Publié par
Date de parution 11 juin 2009
Nombre de lectures 0
EAN13 9781438426594
Langue English
Poids de l'ouvrage 2 Mo

Informations légales : prix de location à la page 0,1648€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

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THE EMERGENCE OF BUDDHIST AMERICAN LITERATURE
SUNY series in Buddhism and American Culture
Jo WàéBîgé à Gày Soo,edîors
The Emergence of Buddhist American Literature
E D I T E D B Y JOHN WHALEN-BRIDGE GARY STORHOFF
Foreword by Maxine Hong Kingston and Afterword by Charles Johnson
Cové à îàgé o ŝàçk o bookŝ © Moîkà3ŝépŝàéà/Déàŝîé.ço Cové à îàgé o Bûà © àoéŝîg/îŝoçkpoo
Pûbîŝé by S TATE U N I V ER SI T Y OF NEW YOR K PR ESS A LBA N Y
© 2009 Sàé Uîvéŝîy o Néw Yok
A îgŝ éŝévé
Pîé î é Uîé Sàéŝ o Aéîçà
No pà o îŝ book ày bé ûŝé o époûçé î ày àé wàŝoévé wîoû wîé péîŝŝîo. No pà o îŝ book ày bé ŝoé î à éîévà ŝyŝéo àŝîé î ày o o by ày éàŝ îçûîg ééçoîç, ééçoŝàîç, àgéîç àpé, éçàîçà, pooçopyîg, éçoîg, o oéwîŝé wîoû é pîo péîŝŝîo î wîîg o é pûbîŝé.
Fo îoàîo, çoàç Sàé Uîvéŝîy o Néw Yok Péŝŝ, Abày, NY www.sunypress.edu
Poûçîo by Dîàé Gàééŝ Màkéîg by Mîçàé Càpoçîào
Library of Congress CataloginginPublication Data é éégéçé o Bûîŝ Aéîçà îéàûé / éîé by Jo WàéBîgé à Gày Soo ; oéwo by Màxîé og Kîgŝo ; àéwo by Càéŝ Joŝo.  p. ç. — (Sûy ŝéîéŝ î Bûîŝ à Aéîçà çûûé)  ïçûéŝ bîbîogàpîçà éééçéŝ à îéx.  ïSBN 9781438426532 (àçové : àk. pàpé)  1. Aéîçà îéàûé—Bûîŝ àûoŝ—îŝoy à çîîçîŝ. 2. Aéîçà îéàûé—20 çéûy—îŝoy à çîîçîŝ. 3. Aéîçà îéàûé—Bûîŝ î ûéçéŝ. 4. Bûîŝ î îéàûé. 5. Bûîŝ à îéàûé—Uîé Sàéŝ. ï. WàéBîgé, Jo, 1961– ïï. Soo, Gày, 1947–  PS153.B83E44 2009  810.9’382943—ç22 2008034847
10 9 8 7 6 5 4 3 2 1
Jon Walen-Brîdge would lîke o dedîcae îs work oné Eégéçé o Bûîŝ Aéîçà Lîéàûé o îs wo sons, omas and Wîllîam.
Gary Soro would lîke o dedîcae îs work on îs volume o ose wo ave aug îm e Buddîs prîncîple o e wondrous naure o everyday lîe: îs wîe, Lînda; îs dauger, Danîelle; and îs son, Wesley.
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2Gày Syé’ŝ Sééçîvé Wày o Co Moûàî: Doéŝîçàîg à Sà Yuemîn He
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Foéwoby Maxîne Hong KîngsonAçkowégéŝ
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P A R  ï
Lîéàûé àŝ Véîçé: àŝîŝŝîo à àŝoàîo
ïoûçîo Jon Walen-Brîdge and Gary Soro
é Epîéŝŝ o Pàéé Fûx: Eéŝ Féooŝà’ŝ Bûîŝ Eŝŝày “é Cîéŝé Wîé Cààçé àŝ à Méîû o Poéy” Jonaan Sallîng
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4Bûààà à Poéy wîoû Cééîàŝ Mîcael Heller
3Jo Gîoo: Bûîŝ, Poéy, à àŝgéŝŝîo Marcus Boon
vîîî
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Conens
Zé, Vàjàyàà, à é AvàGàé: A Pûàîŝîç Poéîçŝ
5Fîgé Poîîg à é Moo: Zé à é Poéy o Pîîp Wàé Jane Falk
6Kéépîg Vîŝîo Aîvé: é Bûîŝ Sîpoî î é Wok o Jàçk Kéoûàç à Aé Gîŝbég Erîk Morenson
7ïûîàîo oûg é Càçkŝ: é Méîg Dow o Covéîoà SoçîoRéîgîoûŝ oûg à Pàçîçé î é Wok o Gày Syé om Lavazzî
8é Aéîçà Poéîç Dîào Véîçé: Aé Gîŝbég à Aé Wàà RéWok Vàjàyàà Bûîŝ Jane Augusîne
P A R  ï ï ï
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Wîéîg é Cîçé: Bûîŝ à Aéîçà Wîéŝ o Coo
9Bûîŝ, é Cîéŝé Réîgîo, à é Cééoy o Wîîg: A ïévîéw wî Màxîé og Kîgŝo Jon Walen-Brîdge
10A Bîgé béwéé wo Woŝ: Coŝŝîg o Aéîçà îMonkey BrîdgeHan Nguyen and R. C. Luz
11‘Opéîg é à o oûg’: é Méîàîvé Mî î Càéŝ Joŝo’ŝDr. Kîng’s Rerîgeraor and Oer Bedîme SorîesGary Soro
Aéwo Carles Jonson
Lîŝ o Coîbûoŝ ïéx
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