Darkening Mirrors
350 pages
English

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350 pages
English
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Description

In Darkening Mirrors, Stephanie Leigh Batiste examines how African Americans participated in U.S. cultural imperialism in Depression-era stage and screen performances. A population treated as second-class citizens at home imagined themselves as empowered, modern U.S. citizens and transnational actors in plays, operas, ballets, and films. Many of these productions, such as the 1938 hits Haiti and The "Swing" Mikado recruited large casts of unknown performers, involving the black community not only as spectators but also as participants. Performances of exoticism, orientalism, and primitivism are inevitably linked to issues of embodiment, including how bodies signify blackness as a cultural, racial, and global category. Whether enacting U.S. imperialism in westerns, dramas, dances, songs, jokes, or comedy sketches, African Americans maintained a national identity that registered a diasporic empowerment and resistance on the global stage. Boldly addressing the contradictions in these performances, Batiste challenges the simplistic notion that the oppressed cannot identify with oppressive modes of power and enact themselves as empowered subjects. Darkening Mirrors adds nuance and depth to the history of African American subject formation and stage and screen performance.

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Informations

Publié par
Date de parution 06 janvier 2012
Nombre de lectures 0
EAN13 9780822393757
Langue English
Poids de l'ouvrage 2 Mo

Informations légales : prix de location à la page 0,1498€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

DARKENING MIRRORS
DARKENING MIRRORS
ImpeRIaL RepResentatIon In DepRessIon-eRa afRIcan ameRIcan peRfoRmance
Stephanie Leigh Batiste
Duke unIveRsIty pRess DurHam & London2011
©2011 Duke unIveRsIty pRess All righTS rESErVE. riTE i ThE UiTE ŚTàTES OF AMEriCà O àCi-FrEE PàPEr ♾ dESigE bY AMY ûTh BûChàà YPESET i ArO rO bY SEg ïFOrMàTiO ŚYSTEMS, ïC. ibràrY OF ÇOgrESS ÇàTàlOgig-i-ûbliCàTiO dàTà àPPEàr O ThE làST PriTE PàgE OF ThiS bOOK.
For Ernest & Louque
1 2 3 4 5 6
contents
LIst of fIGuRes ix pRoLoGue xi acknowLeDGments xix
IntRoDuctIon1
HaRLem RIDes tHe RanGe27 “ ” ÉxPàSiO, OEriTY, à NEgrO ŚûCCESS epauLets anD Leaf skIRts, waRRIoRs anD suveRsIves70 ÉxOTiCiSM i ThE ErFOrMàCE OF ThE àiTià EVOlûTiO pRIsms of ImpeRIaL Gaze115 ŚWigig ThE NEgrOMikado Lens/oDy165 AThrOPOlOgY’S EThOOlOgiES à ŚPàCES OF EECTiO i dûhàM’S diàSPOrà etHnoGRapHIc RefRactIon201 ÉxOTiCiSM à diàSPOriC ŚiSTErhOO ihe Devil’s DaugHter
no stoRm In tHe weatHeR228 dOMESTiC BliSS à AFriCà AMEriCà ErFOrMàCE epILoGue 256
notes 261 ILIoGRapHy 299 InDeX 317
fIGuRes
1.he Exile45MOViE POSTEr 2. JEà BàPTiSTE à AgES ŚTEWàrT ihe Exile56 3.Two-Gun Man from arlemMOViE POSTEr 60 4. OViE STillS OF BOb BlàKE iTwo-Gun Man from arlem62 5. OViE STill OF BlàKE, ThE dEàCO, à dOlOrES iTwo-Gun Man from arlem64 6. ACTOrS i lEàF COSTûMES iMacbetH71 7. Ex ïgràM àS ÇhriSTOPhE iaiti72 8. Ex ïgràM àS ÇhriSTOPhE iaiti72 9. E CrOW WàiTS FOr ThE OPEig OFMacbetH77 10. ÇlOSE-ûP OF ThE CrOW WàiTig FOr ThE OPEig OFMacbetH77 11. E àûiECE àT à PErFOrMàCE OFMacbetH78 12. àCbETh SEàTE O ThE ThrOE 82 13. àY àCbETh 82 14. àCbETh iS ECirClE bY VOOOO PriESTESSES 84 15. E SPY JàCqûES, OûSSàiT ’ÔûVErTûrE, à Eri ÇhriSTOPhE PlOT TO OVErThrOW ThE rECh iaiti98 16. ÇhriSTOPhE à ÔETTE i ThE ClOSig SCEE OFaiti100 17. JàCqûES iS hûMiliàTE bY rECh OîCErS iaiti102 18. AlVi ÇhilrESS àS JàCqûES i à PûbliCiTY PhOTO FOraiti103 19. ŚOûTh àCiC WàrriOrS i Fûll rEgàlià 113 20. rOMOTiOàl PhOTO OF ThE PriCiPàlS ihe Swing Mikado126
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