From "getting loose" to "letting it all hang out," the 1970s were filled with exhortations to free oneself from artificial restraints and to discover oneself in a more authentic and creative life. In the wake of the counterculture of the 1960s, anything that could be made to yield to a more impulsive vitality was reinvented in a looser way. Food became purer, clothing more revealing, sex more orgiastic, and home decor more rustic and authentic.Through a sociological analysis of the countercultural print culture of the 1970s, Sam Binkley investigates the dissemination of these self-loosening narratives and their widespread appeal to America's middle class. He describes the rise of a genre of lifestyle publishing that emerged from a network of small offbeat presses, mostly located on the West Coast. Amateurish and rough in production quality, these popular books and magazines blended Eastern mysticism, Freudian psychology, environmental ecology, and romantic American pastoralism as they offered "expert" advice-about how to be more in touch with the natural world, how to release oneself into trusting relationships with others, and how to delve deeper into the body's rhythms and natural sensuality. Binkley examines dozens of these publications, including the Whole Earth Catalog, Rainbook, the Catalog of Sexual Consciousness, Celery Wine, Domebook, and Getting Clear.Drawing on the thought of Pierre Bourdieu, Zygmunt Bauman, and others, Binkley explains how self-loosening narratives helped the middle class confront the modernity of the 1970s. As rapid social change and political upheaval eroded middle-class cultural authority, the looser life provided opportunities for self-reinvention through everyday lifestyle choice. He traces this ethos of self-realization through the "yuppie" 1980s to the 1990s and today, demonstrating that what originated as an emancipatory call to loosen up soon evolved into a culture of highly commercialized consumption and lifestyle branding.
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Porions of is manuscrip ave appeared as essays under e iles “he New Middle Classes and e Discourse of Caring: Toward a New Undersanding of Culural Inermediaries” (inHisoricizing Lifesyles: Popular Media, Consumpion and Tase Culures, edied y David ell and Joanne ol-lows [urlingon, Vermon: Asgae, ]); “he Seers of Menlo Park: he Discourse of eroic Consumpion in eWole Ear Caalog” (Journal of Consumer Culure, no. []); “Every-ody’s Life Is Like a Spiral: Narraing Pos-Fordism in e Lifesyle Movemen of e ’s” (Cul-ural Sudies—Criical Meodologies, no. []); “Cosmic Profi: Counerculural Commerce and e Prolem of Trus in American Markeing” (Consumpion, Markes, and Culure , no. []); and in a PD disseraion iledConsuming Aquarius: Markes and e Moral Boundaries of e New Class(New Scool for Social Researc, ).
For my parents,
for Dörte,
and for Dave,
who never gave up
Lis of Illusraions
Acknowledgmens
Contents
Introduction:Mediaed Immediacy: Living in e Now
Part I: Middle Class in the Maelstrom
. Of Swingers and Organizaion Men: Loose Moderniies
. Expers Unound: Inimae Professionals and e Value of Lifesyle
. ook as Tool: Lifesyle Prin Culure and e Wes Coas Pulising oom
Part II: Caring Texts
. eing One: From Knowledge o Consciousness in e Spacesip Sociey
. Loving Eac Oer: From Pony o Real in e New Togeerness
. Leing I All ang Ou: From Mind o Muscle in e Relaxed ody
Conclusion:Morning in America: Pulling in e Slack Noes iliograpy Index
ix xi
List of Illustrations
.Communiy Marke Caalog .Book of e New Alcemiss(fron cover) .Book of e New Alcemiss(ack cover) .Wole Ear Caalog .Living on e Ear .he Tassajara Bread Book .Briarpac Review . Diagram fromUopian Eyes . uman perspecives in space and ime .Rainbook .he Las Wole Ear Caalog .Wole Ear Caalog(page spread) .Space Colonies .Caalog of Sexual Consciousness .Celery Wine .Domebook II(cover) .Domebook II(page spread) .San Francisco Bay Area People’s Yellow Pages .Briarpac Review .Our Bodies, Ourselves .Wellness .Geing Clear . Rolfing diagram .he Massage Book . Massage illusraion .New Games Book . ug ug