Hiding the Guillotine examines the question of state involvement in violence by tracing the evolution of public executions in France. Why did the state move executions from the bloody and public stage of the guillotine to behind prison doors? In a fascinating exploration of a grim subject, Emmanuel Taieb exposes the rituals and theatrical form of the death penalty and tells us who watched, who participated in, and who criticized (and ultimately brought an end to) a spectacle that the state called "punishment." France's abolition of the death penalty in 1981 has long overshadowed its suppression of public executions over forty years earlier. Since the Revolution, executions attracted tens of thousands of curious onlookers. But, gradually, there was a shift in attitude and the public no longer saw this as a civilized pastime. Why? Combining material from legal archives, police files, an executioner's notebooks, newspaper clippings, and documents relating to 566 executions, Hiding the Guillotine answers this question.Taieb demonstrates the ways in which the media was at the vanguard of putting an end to the publicity surrounding the death penalty. The press had ample reason to be critical: cities were increasingly being used for leisure activity and prisons for those accused of criminal activity. The agitation surrounding each execution, coupled with a growing identification with the condemned, would blur these boundaries. Ranked among the top hundred history books by the website, Cafe du Web Historizo, Hiding the Guillotine has much to impart to students of legal history, human rights, and criminology, as well as to American historians.
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Extrait
HïDïNG THE GUïOTïNE
HïDïNG THE GUïOTïNE
PUBL I C E XECUT I ONS I N F RANCE ,1870–1939
E m m a n u e l Ta ï e b Tr a n s l ate dbyS a r a h Lo u i s e R a i l l a r d F o r e w o r d byM i tc h e l P. Rot h
CORNE UNïVERSïTY PRESS ïthaca and London
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Fîrst puîshed 2020 y Corne Unîversîty Press
îrary o Congress Cataogîng-în-Puîcatîon Data Names: Tae, Emmanue, author. | Raîard, Sarah-ouîse, transator. | Roth, Mîtche P., 1953–, wrîter o oreword. Tîte: Hîdîng the guîotîne : puîc executîons în France, 1870–1939 / Emmanue Tae, transated y Sarah-ouîse Raîard, oreword y Mîtche P. Roth. Other tîtes: Guîotîne au secret. Engîsh Descrîptîon: ïthaca [New York] : Corne Unîversîty Press, 2020. | ïncudes îîographîca reerences and îndex. ïdentîIers: CCN 2019053351 (prînt) | CCN 2019053352 (eook) | ïSBN 9781501750946 (hardcover) | ïSBN 9781501750953 (eook) | ïSBN 9781501750960 (pd ) Sujects: CSH: Capîta punîshment—France—Hîstory— 19th century. | Capîta punîshment—France—Hîstory— 20th century. | Guîotîne—France—Hîstory— 19th century. | Guîotîne—France—Hîstory— 20th century. CassîIcatîon: CC HV8699.F8 T3513 2020 (prînt) | CC HV8699.F8 (eook) | DDC 364.660944/09041—dc23 C record avaîae at https://ccn.oc.gov/2019053351 C eook record avaîae at https://ccn.oc.gov /2019053352
Cîvîîzatîon îs on the ease. —Vîctor Huo, 1866
Co n t e n t s
Forewordîx Preace to the U.S. Edîtîonxv Abbrevîatîonsxîx
ïntroductîon 1. Competîtîon etween ega Puîcîty and the Press 2. Conservatîve Representatîons o Executîons 3. The ïmpossîe Task o Desîgnatîng Executîon Sîtes 4. The îturgîca Crîsîs o Executîonary Rîtuas 5. Watchîng Executîons 6. Hîdîng a Rîtua o Oedîence: From egîtîmîzatîon to Cîvîîzatîon Concusîon
Appendîx: Lîst o the ïndîvîduas Executed by Year, 1870–1939229 Notes249 ïndex287
1
26
54
85
115 157
196 224
F o r e w o r d
Fîrst puîshed în France în 2011, Emmanue Taïe’s ook,Hîdîn the Guîotîne, îs Inay avaîae, revîsed and updated, or an Engîsh-readîng audîence. There îs no shortage o ooks on the guîotîne în Engîsh, however, ew authors, î any, have used and consuted such a wîde array o French documents as Taïe has, makîng thîs ook a reveatîon to researchers and genera audîences înterested în the death penaty. Few ooks on the hîstory o puîc executîons have een ae to examîne the puîc dîmensîon o capîta punîshment, rîngîng to îe what mîght have een goîng on în the mînds o the executîoners, the condemned, and the spectators. Taïe has accompîshed thîs y scrutînîzîng hard-to-Ind sources, rangîng rom ega archîves, pardon appîca-tîons or înmates awaîtîng executîon, and detaîed wrîte-ups în poîce Ies, execu-tîoner noteooks, Irsthand accounts, and contemporary newspapers. ïn eary modern Europe, no puîc punîshment exempîIed state power as much as reakîng on the whee. ït orîgînated în medîeva Europe, ut ît un-derwent a recrudescence în France and Germany în the eîghteenth century. îke hangîng în Brîtaîn, and or that matter, the Unîted States, death on the whee remaîned very much a puîc torture, attractîng huge numers o o-ten unruy spectators. More crîmînas met death on the whee than y hang-îng în France eore ît was aoîshed y ouîs XVï în 1789. ïn tîme, puîc executîons ecame the provînce o more “compassîonate” înstruments o death such as the guîotîne. No country îs more îdentîIed wîth a partîcuar executîonary apparatus than îs France wîth the guîotîne. Besîdes eheadîngs y sword în modern Saudî Araîa and puîc hangîngs în the Unîted States and Great Brîtaîn în the nîne-teenth century, ew exampes o puîc executîon have Igured more promî-nenty în the popuar îmagînatîon than the so-caed tîmers o justîce. ïn the heyday o the guîotîne, tens o thousands o spectators rom every cass at-tended executîons. Those who coud aford to paîd exorîtant rates to rent a room wîth a vîew overookîng the scafod. Those who coud not aford ît came eary, sometîmes waîtîng or days hopîng to secure a spot cose enough to the guîotîne to see the ade drop.