Secret Sins
159 pages
English

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159 pages
English

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Description

Sleepy rustic Carmarthenshire was secretly a hotbed of debauchery, violence and drunkenness according to Russell Davies in a new edition of his very successful book, ‘Secret Sins’. Behind the facade of idyllic rural life, there was a twilight world of mental illness, suicide, crime, vicious assaults, infanticide, cruelty and other assorted acts of depravity. This almost anecdotal historical study is often funny, sometimes disturbing, always revealing.

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Publié par
Date de parution 15 novembre 2012
Nombre de lectures 0
EAN13 9781783165452
Langue English
Poids de l'ouvrage 2 Mo

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Secret Sins
Sex, Violence and Society in Carmarthenshire 1870–1920
Secret Sins
Sex, Violence and Society in Carmarthenshire 1870–1920
RUSSELL DAVIES
© Russell Davies, 1996
First published 1996
Reprinted 1997, 2004, 2012
British Cataloguing-in-Publication Data.
A catalogue record for this book is available from the British Library.
ISBN 978–0–7083–2556–8
e- ISBN 978-1-78316-545-2
All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without clearance from the University of Wales Press, 10 Columbus Walk, Brigantine Place, Cardiff, CF10 4UP.
The right of Russell Davies to be identified as author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.
www.uwp.co.uk
Cover image: Men Fighting , Victorian engraving © Catherine Lane / iStockphoto.
I’r dair sy’n llonni fy nghalon Nerys, Betsan a Ffion
Contents
List of Illustrations
Acknowledgements
Preface
Introduction: Private Lives, Public Witnesses: The Individual and Society in Carmarthenshire
1 A Sense of Place
2 A Psychic Crisis? The Social Context of Mental Illness and Suicide
3 ‘Secret Sins’: Crime and Protest
4 Sexuality and Tension
5 Spiritual Skeletons: Religion, Superstition and Popular Culture
6 Conclusion: Carmarthenshire and Welsh Society
Notes
List of Illustrations Pen-y-groes, c. 1930: a typical industrial village of south-west Wales All members of the family had to contribute to the work of the farm One of Carmarthenshire’s great landowners, Sir J. Hills-Johnes in c. 1914 Generally the children of the gentry enjoyed easier childhoods. Here the children at Glanbrydan take the dog out boating A typical Carmarthenshire cottage, c. 1906 Pantglas, home of Gerwyn Jones, High Sheriff of Carmarthenshire in 1887 “The House of the Mad”, or the Joint Counties Lunatic Asylum which opened in1865 Leonard Worsell and John John, the two Llanelli men shot by the military in 1911 Too late – police in Llanelli decide to guard a goods truck that has been ravaged by looters The boisterous life of the Victorian public house Women at Work in Carmarthenshire market in c. 1870 The “Wonderful Woman of Carmel”: Sarah Jones and her family at home in 1906 The Llandeilo Literary Society The Regulars of the Cross Inn Hotel, Ammonford, begin their outing The sinister products of the Pen-bre munitions factory
Acknowledgements
In view of the disturbing nature of some of the evidence which is contained in this book, it is probably sensible to begin with the statement that I was born and raised in the county of Carmarthenshire. The people we will encounter in the book, saints and sinners, are my people. I can think of no better birthplace for a Welsh social historian than the terraced house into which I was born in Pen-y-groes. Outside our front door stretched the beauty of rural Wales. At the back door lurked one of the most poignant symbols of modern Wales – an abandoned coal mine. Our road, Norton Road, could be regarded as a dividing line, it separated industrial and rural Wales, the natural world from the man-made, the fragrant and the foul. When I was a boy my mother could always tell which door I had used to leave the house by the mess on my clothes upon my return. Green, ochreous grass stains indicated departure through the front door for a game of cowboys on the closest farmer’s horses. But black, oleaginous stains testified to the fact that I had stolen quietly out of the back door to be an adventurer, a downhill skier or a mountaineer on the slopes of the coal tip. Looking back, I realize with gratitude that a tender family nurtured me through my turbulent youth.
In the preparation of this book I have incurred many debts and it is a pleasure to record my indebtedness here. The staff at the Hugh Owen Library at the University of Wales Aberystwyth, the Carmarthenshire Records Office in Carmarthen and the National Library of Wales all combine courtesy and professionalism to such an extent that it is a delight to use these institutions. Illustrations 2, 3, 4, 5, 6, 13, 14 and 15 by permission of Llyfrgell Genedlaethol Cymru/The National Library of Wales.
I have benefited greatly from the advice and guidance of a number of people. Marian Davies, Mr David Harries, Mr Gareth Williams and Emeritus Professor Ieuan Gwynedd Jones were inspiring and stimulating teachers. Professor Merfyn Jones and Dr Ian Salmon made valuable suggestions on early drafts of this book. Professor Geraint H. Jenkins and Dr John Davies examined the work with characteristic accuracy and thoroughness. I am deeply aware that this book would not have been deemed worthy of publication without their astute advice and wisdom. The errors of fact and interpretation which remain are mine, and mine alone.
The Trustees of the Sir David Hughes Parry Trust at the University of Wales Aberystwyth have generously provided financial support for various projects which are incorporated in this book. The Welsh Arts Council met the costs of publishing this book. For this generosity and support I am particularly grateful. The editors of Llafur and Cof Cenedl have kindly allowed me to republish some material which appear in sections of this book. It is a pleasure to record such kindness. Unusually for a work of history, parts of this book have been dramatized and televised. I learnt much from Ms Bethan Eames and Teliesyn regarding the visual presentation of the human stories contained in this work.
The University of Wales Press proved a model publisher, Susan Jenkins a model editor. Gillian Parry transformed pages of impenetrable handwritten scrawl into a presentable typescript. No one can write a general history such as this without leaning heavily upon the efforts of other historians. I am conscious of my many exactions, and trust that every footnote will be held indicative of my gratitude and esteem.
My family have provided a continuous source of support and encouragement. Without my wife, Nerys, and my daughters Betsan and Ffion, life would have little of its joys and pleasures, but then this book would have been finished much sooner. It is to them that I dedicate this book.

Russell Davies
July 1996
Aberystwyth
Preface
The opportunity to provide a new preface for Secret Sins evoked the Biblical warning ‘as a dog returneth to his vomit, so a fool returneth to his folly’ (Proverbs 26:11). The fear was, however, tempered by the recollection that Secret Sins , judging from a number of responses that the author received, did capture the affection of a wide readership around the world. That it is being republished by the University of Wales Press almost two decades after its first publication indicates, hopefully, that there is still a demand for a history that seeks to engage with wider concerns of humanity than just the political. The emotional, the sexual and the personal lives of people provide a different perspective from which to view the world and its woes.
Revisiting the work after so much time, the author was struck by much of the youthful exuberance and enthusiasm that went into its writing. Inevitably, even this author has acquired a modicum of wisdom with age. Certain infelicities of phrase or particular sweeps of generalization now appear at best unfortunate, at worst unwise. Therein arose a difficult decision. Should one re-write or re-phrase much of the original? To do so would have been quite an onerous task, and one would be producing not a new edition of an old book but, essentially, a new work. This would probably have been a clumsy and unprofitable attempt to force new wine into old bottles. More worryingly, the special character of the old vintage which had engendered such a warm reception among its readership could have been lost. The book was written at a time when a few of the author’s acquaintances who remembered some of the events that feature in it were still alive. Some recalled the winds of wrath that blew during the religious revivals and seeing the angels who gathered to mark the passing of the revivalists – those fascinating characters, part St John the Baptist, part Valentino. Others remembered dark tales of deadly battles with water bailiffs or police, the pubs of the wild wasted boyos that never closed, or the ‘canwyll corff’ (corpse candle) that still shone despite the warnings of air raid wardens. Re-editing might have lost the elegiac echo of the voices of those loved and loving people, which can be heard on occasion in the book. And that would have been the greatest loss.
Secret Sins thus appears, once more as it did originally in 1996, with all its flaws and failings. Like us all, it is a child of its time, a product of its age. Many of the themes discussed in the book were further considered by this author in Hope and Heartbreak: A Social History of Wales and the Welsh 1776–1870 (University of Wales Press, 2005). These included the links between religion and superstition, the private committal of sin and its public condemnation, the ways people sought to bring joy and happiness into their lives, and the friction between love and lust. Since 1995, a few other authors have also ventured into examining the criminal and sexual lives of the Welsh people. Dr Kate Fisher has published on birth control practices and policies in south Wales, while Richard Ireland has published extensively on the misdeeds and misdemeanours of my forefathers in Carmarthenshire.
Hopefully, Secret Sins still has something of relevance to say. The period concerned in the book, 1870–1920, is often viewed as a golden age. The world that we have lost – allegedly rejoicing in high morality and Victorian values – was an eternal summer, only eventually finished with the ‘death of innocence’ and the roaring guns of August 1914. Secret Sins offers a gentle corrective to this view in sugg

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