Partition complète, pour Southern Harmony, et Musical Companion
346 pages
English

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Partition complète, pour Southern Harmony, et Musical Companion

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Consultez les partitions de pour Southern Harmony, et Musical Companion partition complète, psaumes, fruit du travail de Walker, William. La partition de musique classique dédiée aux instruments comme: voix
Cette partition comprend plusieurs mouvements et est classifiée dans les genres hymnes, pour chœur mixte, pour voix non accompagnées, sacré hymnes, langue anglaise, Odes, hymnes, pour 4 voix, religieux travaux, pour non accompagné chœur, psaumes, Compilations, pour 3 voix, partitions pour voix, partitions chœur mixte
Visualisez dans le même temps tout une collection de musique pour voix sur YouScribe, dans la catégorie Partitions de musique classique.
Rédacteur: Revised 1854 edition
Edition: Philadelphia: E. W. Miller, 1854.

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Publié par
Nombre de lectures 27
Licence : Libre de droits
Langue English
Poids de l'ouvrage 15 Mo

Extrait

;
SOUTHERN HARMONY, AND MUSICAL COMPANION:i
COMTAJNINB UHOILE COLLfST! i-^ ^»r" t
TUNES, HYMNS, PSALMS, ODES, AXD ANTHEMS;
SELECTED FROM THE MOST EMINENT AUTHORS LN THE UNITED STATES;^;2
'^>\ TOOBTBia WITH
NEARLY ONE HUNDRED NEW TUNES, WEIGH HAVE NEVERBEFORE BEEN PUBLISHED
SUITED TO MOST OF THE METRES CONTAINED IN WATTS'S HYMNS AND PSALMS, MERCEk'S CLUSTER, DOSSEY's
SELECTION, HYMN BOOK,CHOICE, DOVER METHODIST AND BAPTIST HARMONY;
VrtLL IBArTID TOADD
EVERY DENOMINATION. S /.AQ SCHOOLS, AND PRIVATE SOCIETIES:CHfUSTIAN CHURCHES OF
AL30. AN EASY INTRODUCTiON TO GROUNDS OF MUSIC, THE RUKl'^NTS OP MUSIC, AND PLAIN RULES FOR BEGINNERSTHE
WALKER.BT WnUAH
uio Sod, klngiloiiu erth* ewth : O pr'^ito tinle tb* Lot^.—Ditid.SIdi fa ilnt
in jrour taearU to Ihi Lord.—ri«i_8p«akiDg to fMuitlTM la pialu,u4 hrmut, anc apirliital vmf, •InfinK und making milody
EDrnOK, TEOEOUaBXT SETISFD AVO XVCH SHLABGXD.KSW
PUBLISHED BY E. W. MILLER, 1102 and 1104 SANSOM STREET,
•FOB BALK BTAND
J. B. LIPPINCOTT & CO.. and BOOKSELLERS, GENERALLY, THROUGHOUT THE UNITED STATES.
*^^'[HUBYltBiAN rilSpiCALJOCIirji;
^7760Ufb~7^^Digitized by the Internet Archive
in 2010 with funding from
Calvin College
http://www.archive.org/details/southernharnionymOOwalk;
HARMONY, AND MUSICAL GOMPANIOM;SOUTHERN
contjlinu<o a choice collectiox or
ODES, AND ANTHEMS;HYMNS, PSALMS,TUNES,
EMINENT AUTHORS IN THE UNITED STATES:SELKCTED FROM THE MOST
TOGETHER WITH
BEEN PUBUSHEDTUNES, WHICH HAVE NEVERBEFOREKEARLY ONE HUrJDRED NEW
MERGER'S CLUSTER, OOSSEV &CONTAINED IN WATTS's HYMNS AND PSALMS,St.'ITED TO MOST OF THE METKES
BOOK, AND BAPTIST HARMONY;DOVER SELECTION, 5IETH0DIST HYMNCHOICE,
4ND WELL ADAPTL:D ^O
SCHOOLS, AND PRIVATE SOCIETIES:OF EVERY DENOMINATION, SINGINGCHRISTIAN CHURCHES
FOR BEGINNERSTHE RUDIMENTS OF IIUSIC, AND PLAIN RULESTO THE GROUNDS OF KUSIC,ilSO. AN EASY IKTRODUCTION
WILLIAM WALKER.BY
Uaved.ofthe canh : O sirig praises unto ilie Lord.—t^ing un:o God, ye kingdoms
I'your hearls In the Lord— it-singing and making melody In »Bpc-aking yourselves in psalms, and hymns, and spiritual songs,10
REVISED AI^D MUCH ENIASGED.HEvV EDITION, THOHOUGHLY
PniLADELPniA:
SANSOil STREET.1102 and 1101PUBLISHED BY E. W. MILLER,
AND FOR SALE BY
THE UNITED STATES.OKNEUALLY, TIIllOUGHOUTAND B001v'SKLT,ER,S,J. B. LirriNCO'l'T & CO.,NEWPREFACE TO EDITION.
TuE Autnor, feeling grateful a generousto public for tne very liberal patronage Tvhich they have given the former editions of
the SocTUERN Harmony, has endeavoured to remedy the only deficiency -which he has heard mentioned, by adding a large number
of good tunes for church use, together with several excellent new pieces never before published, which has enlarged the work about
forty pages, and makes it one of the largest Music Books ever offered at the same price. Therefore he hopes to secure that continued
and increased patronage which it may frommerit those who love the Songs of Zion.
WILLIAM WALKER.
Spautancueo, January, lSi7.S. C,
PREFACE TO REVISED EDITION.
Since the Soutiiern IlARsroNY was first published, many of the tunes having gone out of use, the AutJior determined to revise
the work, and leave out those pieces, and supply their places with good new tunes, which have been selected for their intrinsic worth,
and great popularity, and highly devotional character. He has also enlarged the work with thirty-two pages of excellent music,
many of the tunes being suitable for revival occasions. All of which he hopes will be found entirely satisfactory to the many friends
and patrons Southern ITarmonj/.of the
The Author now tenders his grateful thanks to a generous and enlightened public for the very flattering manner in which the
former editions of this work have been received, and hopes that this revised edition may be duly appreciated, and the demand for it
increase as its merits may deserve.
WILLIAM WALKER.
SPAETANBUBa, July,S. C, 1854.
EntireJ, according to tha Act of Congress, In the year 1847, Wilich,byWiLiiui In the Clerk's Office ofthe District Court ofthe E«stern I>istrii» ol PrnnajlTanu.PREFACE TO FORMER EDITION.
The compiler of this work, having been solicited for several years by his brother teachers, pupils, and other friends, lo publish a
work of this kind, has consented to yield to their solicitations.
upon the rudiments of Music, 1 the pupil on step by from B, C,In treating have endeavoured to lead step, A, in the gamut, to the
more abstruse parts of this delightful science, having inserted the gamut as it should be learned, in a pleasing conversation between
the pupil and his teacher.
selecting the Tunes, Hymns, and Anthems, endeavoured to gratify the taste of all, and supply the churchesIn I have with a
number of good, plain tunes, suited to the various metres contained in their different Hymn Books.
While those that are fond of fuged tunes have not been neglected, I have endeavoured to make this book a complete Musical
Companion for the aged as well as the youth. Those that are partial to ancient music, will here find some good old acquaintances
which will cause them to remember with pleasure the scenes of life that are past and gone; while my youthful companions, v\-ho
are more fond of modern music, I hope will find a sufficient number of new tunes to satisfy them, as I have spared no pains in trying
to select such tunes as would meet the wishes of the public.
I have also selected a number of excellent new Songs, and printed l^em under the tunes, which I hope will be found satisfactory.
endeavouredSome object to new publications of music, because the compilers alter the tunes. I have to select the tunes from
original authors. Where this could not be done, and the tune having six or seven basses and trebles, I have selected those I thought
most consistent with the rules of composition.
publication, nor in manuscript,)I have composed the parts to a great many good airs, (which I could not find in any and assigned
name as the author. I have also composed wholly, and inserted them in this work, which also bear my name.my several tunes
The compiler now commends this work to the public, praying God that it may be a means of advancing this important and
flflightful andscience, of cheering the weary pilgrim on hi? way to the telestial city above.
WILLIAM WALKER
SDttTianhuig. S. C, September 1835! i
OR RUDIMENTS OFTHE GAMUT, MUSIC.
TENOR OK TREBLE STAVE NATimAL.
PART FIRST. sol Space above.G O
F favv-t^- -Fifth line.
E law Fourth sjiaco.nOF MUSIC.
D sol-O- -Fourth line.
C faw I\ Third space.
PcriL. What is Music ? O—B -Thirdme— line.
TsACHEB. Music is a succession of pleasing sounds. A law Second space.n
G sol -Second line.P. On wli.it is music written ?
-Ofaw [\ First space.FT. On five psrallel lines including the spaces between them, which is called a
-First line.law-C—stave ; and tnese lines and spaces are represented by the first seven letters in the
sol below.O Spacealphabet, A, 13, C, D, E, F, and G. These letters also represent the seven sounds
that belong to each key-note in music: when eight letters are used, the first is
COUNTER STAG'S NATUKAL.repeated.
P. How many parts are there used in vocal music law aboveSpace
'1
. Commonly only four ; viz. Bass, Tenor, Counter, and Treble ; and the letters -sol-O- —Fifth line.
arc placed on the staves for the several parts in the following order, commencing at faw £i Fourth space.
space below the first each stave. -law-C— —Fourth line.the line in
sol O Third space.
-faw-Ci,- -Third line.
BASS STAVE NATURAL. O Second space.
-law-i_- -Second Ime.
me Space above.O
sol O First space.
-law-Q- -Fifth line.
-faw-!\— -First line.
BOI Fourth .space.O E law D Space below.
-faw-ti- -Fourth line.F Clef^
law Third space.D
named or called by the names ofYou may observe that the letters arc the four-Third
line.-sol-Othe above staves that F is named faw, C sol,notes used in music. You see in Afaw Second space.t^
snl, faw again every eighth letter being the firsilaw, B me, C faw, D E law, and F ;-me-0- -Second line.
is an octave.repeated, which is an oclavc ; for every eighthlaw First space.|—
P. How many notes are there used in music, what are their names, and how are
taw they made )^« — : _ ^ —
THE GAMUT. OR RUDIMENTS JF MUSIC
wnicn represent sounds are called by fojr names, and eachT All holes ot music
known by its shape, viz. ; the me is a diamond, faw is triangle, sol is round,30te ia
See example.*ncl 'aw is square. the &£l
EXAMPLE.
me faw boI law iiE^^E±i
XJ^
-±p^t:t
This is the rule for singing rjund notes. You must therefore observe that the
natural place for the me in parts of music is on that line or space represented by B.
But if B be flat, t> me is on £Square.
B I) and E b it is on .\
P, But in some music books the tunes are written in round notes entirely How B b E 1> and .\ h it is on D
*i!o we know by what names to call the notes in these books 1 B b E b A b and D b it is on G
T. By first finding the me for me is the governing and leading note ; and when IfF be sharp, # me is on F
that is found, the notes on the liaes and spaces regular s

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