Partition complète et parties, A Summer Idyll, Harris, Ian Keith

Ian Keith Harris

Description

Redécouvrez les partitions de la musique A Summer Idyll partition complète et parties, pièces, fruit du travail de Harris, Ian Keith. La partition moderne célèbre dédiée aux instruments comme:

• hautbois d’amore (ou anglais cor) et Piano

Cette partition aborde plusieurs mouvements et est répertoriée dans les genres pour hautbois damore, piano, partitions pour piano, pièces, partitions pour anglais cor, partitions pour hautbois damore, pour 2 musiciens, pour anglais cor, piano
Retrouvez en même temps d'autres musique pour hautbois d’amore (ou anglais cor) et Piano sur YouScribe, dans la catégorie Partitions de musique variée.
Date composition: 2004
Rédacteur: Jennifer Paull
Edition: Amoris International. Edition AI SI 018.
Dédicace: For Jennifer Paull

Sujets

• Modernité
• Piano
• Anglais
• D'Amore
• Oboe
• Harris

Informations

• Publié par: HARRIS
• Nombre de lectures: 22
• Licence : En savoir +
  Paternité, pas de modification
• Langue: Français

Extrait

IAN KEITH HARRIS









A SUMMER IDYLL

Oboe d’amore (Cor anglais) & Piano













SI 018 Ian Keith Harris
(1935-)

Australian composer, arranger, oboist, music educator, critic and eclectic musician,
Ian Harris, was born in Melbourne in 1935, living there for the first 26 years of his
life. He started the piano at the age of five and three years later was playing cornet in
his school band. He took up the violin shortly after this, playing for several years, but
relinquished it when he became his school pianist at thirteen. The oboe came next,
and in 1953, he began his Bachelor of Music degree at Melbourne University
Conservatorium of Music taking piano as chief study and oboe as second. National
Service in the Army intervened and, this time, Ian Harris played the trombone in the
University Regiment. The same year, he changed to oboe as his chief study. The
trombone did not impress Jiři Tancibudek, his professor! This time, the piano was his
second study and composition (Arthur Nickson) crept in too.
Not surprisingly he was soon in demand as a free-lance orchestral musician, arranger
and copyist, working in a very eclectic mix of musical spheres from arranging for
Eartha Kitt (television and various theatrical shows), to playing in opera, ballet,
chamber music and symphony orchestras. He was a founding member of the
Glendenian Trio, (flute, oboe, bassoon), which gave regular broadcasts over several
years. The trio was another area in which his skills at arrangement were frequently
employed.
Ian Harris moved to Hobart, Tasmania, in 1961 (Tasmanian Orchestra), was
seconded to the Sydney Symphony Orchestra (cor anglais) for several months,
returned to Tasmania only to be seconded again, this time to the Victorian Symphony
Orchestra (oboe).
Back again in Tasmania, his next move was to Wellington, New Zealand (1965-
1974) to join NZBCSO (the New Zealand Broadcasting Corporation Symphony
Orchestra) as Principal Cor anglais. During this time, in which he yo-yoed across
Australasia, Harris tutored at the universities of Tasmania, Melbourne, and the
Victoria University of Wellington. It was at the latter that he completed his degree in
composition (with David Farquhar) in 1969. He was to return yet again to Tasmania
at the end of 1974.

However, this time, he embraced a new career as a music educator with his move. His
wealth of instrumental and orchestral experience was invaluable to his students. He
also conducted the Tasmanian Junior Youth Orchestra for several years.

Harris was a dedicated member of policy committees, especially in Education and the
Arts. A great listener to music and musicians, he served as music critic for The
Mercury, Hobart’s daily newspaper, for several years.
His oeuvre consists mainly of chamber music, much of which has been performed and
broadcast: Microsymphony for Cor anglais Quartet (cor anglais, string trio), Oboe
Quartet (oboe, string trio), Essay for Bassoon and Strings, Sonata for Viola and Piano,
amongst many other pieces and numerous arrangements for broadcasts and concerts.

His sense of fun has shown in many of his compositions including, A Piece with
Strawberry Jam, The Little Dog's Day (Rupert Brooke), ’Paw de trois’- Three Dances for
Canines (for Woodwind Quintet, with movements dedicated to his dogs by name), The
Whitebait Fishers –

“A sort of Donizetti-like spoof for harpsichord, string quartet and small
choir, for which the producer of the hour-long national radio show penned
the libretto for this, a special anniversary broadcast of the programme.”

Harris orchestrated songs for symphony concerts, including a version of The Last Rose
of Summer for Rita Streich (1920-1987). He also wrote, directed and even performed
in advertising jingles, playing celesta, oboe, cor anglais or whatever was required.

Ian Harris moved back to Sydney definitively in 2000 and has since devoted himself
to composition and a considerable entourage of cats (10) and dogs (5). He is a keen
gardener and chef and a passionate enthusiast of the oboe d’amore. A close friend of
Jennifer Paull, he has written many works for her.








A Summer Idyll
Oboe d’amore (Cor anglais) & Piano

SI 018

This piece was written in 2004 for oboe d’amore (cor anglais) and piano. It reflects
upon the delights of life. I re-savour past joys and try to capture their essence within a
transient musical interlude. It is a gentle one-movement work, which I have dedicated
to Jennifer Paull.
I was inspired by one of those quiet pleasant sunny days under a cloudless blue sky so
well known to us in Australia. I fancied that time was suspended as I wandered in my
garden.

Eucalyptus trees do not have an autumnal loss of leaves; they are evergreen. Their
leaves fall daily just as do their branches - more likely on a hot, still day than any
other. Sometimes they come down, crash, in a high wind and are totally unlike
European trees. They usually flower in summer and produce their gumnuts over the
next year or so. Eucalyptus oil, more prone to burning than even pine oil, has a very
distinctive smell (that I love.) I imagined this piece with the perfume of eucalyptus
and the gentle cracking of the branches on a still day.

It should be played without rubato - strictly in tempo, to enable the flow of the free
rhythms I have encompassed within the music.


Ian Keith Harris
2006







Works by Ian Keith Harris published by Amoris International include the following


An Album of Aquarelles SI 019
Syrinx and Pan
Aurora Australis
West of The Winter Wind

Autumnal Interlude SI 020

Sonatina SI 021

Tasmanian Ants SI 023

The Dark Tower - Childe Roland to the Dark Tower Came SI 028

Reflections SI 029

Sonata ‘Les Amours’ CM 007

Divertissement EN 006

A Consort of Carols EN 008

FunFare EN 009

‘Paw de trois’ - Three Dances for Canines EN 010

The White Rose OR 003 (String Orchestra etc.) & EN 007 (String Quartet etc.)







www.amoris.com for Jennifer Paull
A SUMMER IDYLL
Ian Keith Harris
( b. 1935 - )

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