Partition complète, Leningrad Landscapes, Dyson, Peter
59 pages
Vietnamese

Découvre YouScribe en t'inscrivant gratuitement

Je m'inscris

Partition complète, Leningrad Landscapes, Dyson, Peter

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Découvre YouScribe en t'inscrivant gratuitement

Je m'inscris
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59 pages
Vietnamese
Obtenez un accès à la bibliothèque pour le consulter en ligne
En savoir plus

Description

Obtenez les partitions de musique Leningrad Landscapes partition complète, symphonique poèmes, de Dyson, Peter. La partition moderne écrite pour les instruments suivants: 2 flûtes, 2 hautbois, percussion et cordes, 2 trompettes, timbales, tuba, 4 cornes, 2 bassons, 2 clarinettes, 2 trombones, basse trombone
Cette partition est constituée de 5 mouvements et l'on retrouve ce genre de musique répertoriée dans les genres partitions pour orchestre, pour orchestre, symphonique poèmes
Redécouvrez encore tout une collection de musique pour 2 flûtes, 2 hautbois, percussion et cordes, 2 trompettes, timbales, tuba, 4 cornes, 2 bassons, 2 clarinettes, 2 trombones, basse trombone sur YouScribe, dans la catégorie Partitions de musique variée.
Date composition: 2010
Edition: Composer
Durée / duration: 20

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Informations

Publié par
Nombre de lectures 20
Licence : En savoir +
Paternité, pas de modification
Langue Vietnamese

Extrait

Full Score
Leningrad Landscapes
viewed through a window
Five Pictures for Orchestra
Peter Dyson 2010
1
2
Leningrad exists now only the minds of an ageing Soviet population. The City is littered with symbols of its Soviet past, evoking a sense of nostalgia for this period in its history. These views of the city recall that nostalgia, sometimes with sadness, through the windows of trams and trolley buses, the curtained windows of Brezhnev period flats, stolovaya café windows and produckti shop windows looking out at people passing. There are five views: Relaxed Nostalgically Robustly Gently Energetically. I first wrote then for four equal instruments (for Tubalate) but on re-listening to them have found the limitation of that sound world too severe an imposition. Thus they are recast for a wider orchestral palate. Peter Dyson May 2010 Duration - 20 mins
                                                              
First View
       
                                                                          
Relaxed = 100 Flute 1 Flute 2Oboe 1  Oboe 2Clarinet in B1Clarinet in B2Bassoon 1   Bassoon 2      Horn in F 1    Horn in F 2      Horn in F 3    Horn in F 4      Trumpet in B1 Trumpet in B2 Trombone 1 Trombone 2Bass TromboneTuba   Timpani  CymbalsSnare DrumBass DrumRelaxed = 100 Violin I  Violin II Viola Violoncello Contrabass © Copyright 2010 Peter Dyson Licensed under Creative Commons Attriburion Non-commercial No Derivatives 3.0
     
          
        
   
  
                                 
3 Peter Dyson                                                                                                   
     
                                              
4
10 Fl. 1  Fl. 2  Ob. 1  Ob. 2   Cl. 1Cl. 2Bsn. 1 Bsn. 2 Hn. 1    Hn. 2Hn. 3Hn. 4Tpt.1     Tpt. 2    Tbn. 1  Tbn. 2B. Tbn.Tba. Timp.     Cym.  S. D.  B. D.       Vln. I     Vln. II                  Vla.      Vc. Cb.    
A                    A                              
   
        
     
                                
                                              
             
                          

                                      
 
                                                              
   
     
 
   
                             
19Fl. 1Fl. 2Ob. 1  Ob. 2  Cl. 1Cl. 2Bsn. 1Bsn. 2Hn. 1 Hn. 2 Hn. 3 Hn. 4 Tpt.1Tpt. 2Tbn. 1Tbn. 2  B. Tbn.Tba.Timp.
Cym.S. D.B. D.
                                                                       
        

 

Vln. I         Vln. II         Vla.            Vc.            Cb.           
             
           
           
       
                    
                       
                   
         
   
                       
          
                      
    

  
          
 
5      
          
      
         
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